Jennifer, as the film's producer took care of all the logistical arrangements and the finances, and Bruce, the director, shot the film, but they both had artistic input.
"To show you how well she functioned as a producer, she forbade me to take a still camera so I wouldn't get distracted from the television, which is what I was supposed to be doing," said Bruce.
The Youngs have so many stories about the making of the film that they could easily fill a book, but among the most outstanding is the helicopter trip to a remote Siberian prison camp in June 1996.
"It was a two-hour helicopter ride from anywhere [Magadan in the Russian Far East is the nearest city], and in the last hour and a half we saw no sign of civilization at all," said Jennifer. "I'm terrified of heights, but I was so excited it didn't matter at all. The weird thing was I sensed when we were getting to the camp because I'd had a dream the week before and it was exactly like I'd imagined.
"We could see these weird scratches in the ground, which were test trenches for mines," she said. "It looked like a giant alien had come down and scratched the ground."
The Youngs had visited other camps but wished to film this particular camp.
"A lot of abandoned camps have been stripped for building materials so they're just gone and a lot of structures are made out of wood, which over the years have just rotted away, but this camp was made out of in rock," they said. "The buildings are rock and parts of them are still there, so there were a lot of very visual remains. It was also a notoriously brutal camp."
There were some inhibiting factors about the trip that did not stop the Youngs, nor the 18-person tour group and the two survivors who accompanied them, from going. The camp was in a radioactive area because of a uranium mine, and it was "in a sort of pocket," as Jennifer put it, out of radio contact. That made everyone, including the pilots, very nervous. Because of these factors, they were only allowed 2O minutes on the ground to film.
Aside from memorable experiences like this, what the Youngs remember best are the people they met.
"We've made friends who went on the trips with us and with the people we've interviewed," they said. "We also made friends with people who helped us along the way. These are friendships that will last certainly beyond the making of the film and probably our entire lives."
Working Relationship
Not only do the Youngs have photographic skills and goals in ,common but they even share many of the same thoughts. That compatibility has led them to a close and successful working relationship.
"I always say. that, we .complete each other - the fact is: we finish each other's sentences," said Jennifer. "That doesn't mean there's constant interaction, but we are surprisingly parallel."
Asked what might lie ahead for the creative pair, they are not sure at the moment.
"We're really just fascinated with other cultures, comparing how we live with the way other people do "they said. "It's the same reason we became journalists.
"This project has been all consuming and very, very Russian, but we can see in future years picking another country and having a similar fascination. Right now, we're sort of developing an interest in China."
Even if the future may not be certain, one thing about the past is.
"I'm absolutely certain this show would never have been made if the two of us hadn't come together," said Jennifer. , "Neither one of us would have done it on his or her own.”